Benedict has worked with curators and galleries in the UK, Europe and the US. His photography, artist books and limited editions have been collected and displayed in collections including the Victoria and Albert, London where he was included in the exhibition Field Study International: Emanations of a Collective Spirit in Art (V&A, 2011).
A continuing interest of Phillips’ has been Dyslexia, focusing upon his and others experience of this ‘specific learning difficulty’ (www.nhs.uk). This has included the performance of Agender of the Aggressive Dislecksick (Speakers Corner, London, 1995) through to The White DIV (dyslexic intelligent vision) performance and My Misspelt Youth project (Yorkshire Art Space, 2005); Invisible Conversations (UK and USA, 2005 – 2009); The Red DIV (Cheltenham, 2011); The DIV: 3D thinkers in a 2D World (ISEA, 2009) and A Benedictionary the world’s first and only Lecksick to Dislecksick translation dictionary (www.popublishing.co.uk).
Phillips How to be a Dyslexic Artist, was a two-year research and professional development project, reflecting upon and re-imagining 25 years of artistic practice with mentoring from Mark Segal (the artists agency), and Nick Galvin and research partner, Jonathan Lindh LEDA Architects (Leeds). He’s consolidated and archived a database of works, developed a new website and undertaken residencies while developing new sculpture and photographic works for exhibition. This led to Being Benedict Phillips or How to be a Dyslexic Artist at Gallery Oldham (6 July - 9 October 2021) where a wide range of Benedict's work from over 25 years of socially engaged practice was shown.
Alongside his fine art practice Benedict also has considerable experience as a lead artist, working in NHS and local authority settings, and as a mentor and creative consultant working with architects, archaeologists, and public agencies. He is also creative director of Digital Media Labs.